Friday, August 14, 2015

SANDWICH - FOUR TRACK MIND



Tracks to Deduce About
by Righ Ex

I came back here to reinvigorate myself with our own kind of swag here in the Philippines.  One may find it a little just too good or perhaps too good to be true.  This is the sandwich I learnt to have grown to appreciate.  And though I must say that I heard them through the radio waves of course the first time.  This was before TTTMGP.  

"Sounds so quiet in the future, I could not breathe", they crooned.

ROYAL BLOOD - OUT OF THE BLACK


Royal Through
by RC Avellanosa

Dave Grohl took me here.  Hahaha.  This band only has two members.

Ok, not just Dave Grohl...YouTube. Blame YouTube... I think the bassist was the one singing.  They've been to Australia and I heard as I read that they'll be supporting The Foo Fighters.


Monday, February 16, 2015

BARLOW - FOUR CASTLES


Low Bra
by Righ Ex

Ryan: Barlow is a trio from Erie, in Philly. Not 'Philly' as in my country, the Philippines, but Philadelphia in the USA. I learned about the band as I listened to Scat's "Even Atom". What nosey ears I have... But here's a band that's fronted by Ethan Oliva. Their name "Barlow", according to Ethan, was apparently the brand name of his grandfather's knife. Not that I mean to pry so much, assuming that somehow they're related to the famous indie band Sebadoh, which is fronted by no other than Lou Barlow of Dinosaur Jr!


Their sound is astounding. It's like you were brought to some familiar planet. I guess it is, by default lo-fi. Its charm resonates and reverberates like TV personalities and ridiculous spin-out thoughts and cartoonographic jumping positive channels. "In The Air", "Castles" and their most recommended, "Cindy". It's like a 2010s band that's from late 80s. early 90s . Reminds me of old TVs, cassette tapes and boomboxes, Friday the 13th, Goonies, VHS and Beta tapes, video arcades, pinball machines, bubblegum, super trump cards, tree houses, Rambo, ewoks, retros, and board games. Most promising, this band should breakout to the mainstream, or not.

Jake: This EP is lo-fi from the get-go; captivating and fuzzworthy (I guess it's a take off of 'buzzworthy'--which is yet another made up word--but girl, you know it's true!). As one of the few current cassette releases I've heard (not to mention my introduction to the band), Barlow's genre hybrid is well suited for such a format. Kind of an indie/grunge-gaze sound. From the first few chords of "Missionary", I immediately felt a 90s indie rock vibe from how melodic it was. Just my favorite type of sound that embraces my pleasure senses, much like ice cream. Upon hearing the following track, "Pink Room", it reminded me of the Swedish indie band Suredo, with its fast tempo and sonic atmosphere (pun intended). I actually appreciate how the band integrates some mellow interludes to allow for variety.



Interestingly, I imagined their song "Visor" as an opening to an alternative-themed TV show, similar to Nickelodeon's The Adventures of Pete and Pete, with "Castles" as the possible closer, and the penultimate and final tracks acting as sort of recurring songs, setting the tone for specific moments, much like Polaris with their music. That idea really made me nostalgic for the carefree days of being young and smart (academically, but not yet emotionally). Man, how I miss going through school just wanting to be home and playing video games, before all this accumulated "stressure" of having girls on a pedestal and all these regrets! 




One thing's for certain, however; I do not regret listening to Four Castles by Barlow! In fact, it did its job in having an impact on me from the very first listen. Barlow, if you read this post, just feel assured of the guarantee that I'll definitely check out more of your stuff. Consider me a fan as well!!

> Why the regret Jake?  It's just something to file under easy listening. RIGH EX


Sunday, February 15, 2015

SHOJOSKIP - COSODOROKITSUNE

Skip a Beat Babty
Righ Ex

Ryan: Just out of the blue, the wind's blowing an icy breeze, alone in the morning. The mood's right, the sun was just right, right amount of shade, silence... well stop that, Shojoskip. You're distracted, and you look at your bare feet like, 'Hey, where are my shoes?' It's just right...your feet are bare because you're inside this room playing these tunes. They're like floaters in your eyes. You felt dizzy in that moment, reached for a cup of coffee, and don't need to understand the words again. Just the voice.

Well, I should get to that in the future. It's all about love anyway...or the shoes and tschinelas. Then as you listen, you'd get to say and do that thing with searching again, and you'd just think "Hey. I wish I was there too."

Must be mutual anyhow, how musicians get to feel inspired. They must be doing the same things you do...digging through music all over the globe just like we do on this blog. And every now and then you'd stop and say "I'm alone, you're alone..."

Everybody's together alone. 

Jake: Admittedly, I haven't heard much Japanese shoegaze (besides Hartfield and Luminous Orange), but this album resonates quite well.  I like how the album is produced in such a way that you can register even the slightest instrumental nuances. There is a notable influence of My Bloody Valentine, except you feel relaxed, rather than overwhelmed in a cluttered mass of noise. This may be due to Shojoskip's more conventional mixing approach, which comes off as easy on the ears. Very consistent feel throughout, without reliance on the typical "shoegaze pedal regime". These components thus leave some nice "breathing room", and perhaps serve as guidelines for my own production forays as well.. Provided this is the sound I gun for time after time, I'm grateful to cite this album as a reference. It has a very bittersweet, yet sunny vibe, and I seem to enjoy it progressively with each listen.

Standout tracks include "Reciting Dawn After the Bonfire", "Glory of the Snow", "Mitsubachi", "Newspaper", and "Makura". Instead of Shojoskipping, it's better to listen fully and actively. Bad pun aside, take my word into consideration (if you'd like).




Wednesday, February 4, 2015

CATHERINE - SLEEPY



Catholics I Suppose
by Righ Ex

Ryan: I really don't know how a band begins to make a song.  Is it the weather, the seasons, or simply a way of celebration? Maybe it's to prove "Hey, we're together, just playing music." Obviously music keeps people wondering and wandering out somewhere, whether it's having fun or waging war against someone, somebody, some species, some existence, some fool, some lover, some folk, or  simply for one's own satisfaction.  But here's a band called Catherine. It is straight up Alternative Rock.  I have my own select picks, though I must say, I don't like all their stuff.


However, considering the scene that existed with bands in Chicago, it comes as no surprise that D'Arcy Wretzky and Billy Corgan participated in the production of this band.  I'm just awfully aghast why I only get to discover them wholly today or in part! Thanks for the ear candy, Catherine.


Here are some highlights from a Facebook conversation Jake had with singer/guitarist, Neil Jendon...

J: [I] really like that single "Sparkle/Charmed", it has the vibe of the Sleepy EP.
N: Yes, we were much more awash in reverb and less under the influence of the Pumpkins then. Things changed with TVT and "Sorry!". Not that I'm ashamed of that record, but I like the earlier stuff better.
J:  Did you still just kind of do your thing with "Sorry!", or were you told to sound a certain way?
N: Good question. There was a lot of positive reinforcement given to us when we tilted towards what everyone considered the sound of the day. The more we sounded like Pumpkins or Soundgarden the more slaps on the back we got. After a certain point we were doing it to ourselves.
J: How do you feel seeing your old music videos?
N: Ugh. I hate them. What a waste of money. We could have toured for months on what one video cost. We were making them right around the time MTV stopped playing vids and started doing more reality shows.
Neil also provided links to his current projects, German Explaining Station and Kwaidan:
 http://germanexplainingstation.bandcamp.com/
The following day, this happened...
Yup. Neil shared Jake's cover!
Additionally, Catherine is currently recording a new album! No release date confirmed yet...








  


Jake: I was certain this band had something unique to offer when I first heard "Idiot", off their Sleepy EP. It was like molding the white noise of Shoegaze with the robust thickness of Metal! I remember vividly downloading the DRM protected files on a trial version of Rhapsody--not exactly the ideal experience, but that's how it happened!

I was blown away, despite the EP's inherently rough Corgan production values (Thank God I had a decent sound system!). Sonically, imagine Smashing Pumpkins but on a smaller budget. Come to think of it, a similar model was the precedent already for a myriad of 90s underground acts. But don't think Catherine stays confined to the norm--they have a personal-panned, pleasant brand of noise that will somehow keep you entranced and focused at the same time. All 5 tracks have a lot going for them. Especially that fifth one. Listen to the very end...





 

Tuesday, June 11, 2013

SAD DAY FOR PUPPETS - COME CLOSER


Puppets and Balloons
by Righ Ex

No, this is yet to be officially released come August 2013.  I've been listening to this band for just two months now.  I am referring to their earlier releases my favorite of which is "Shift Another Color".  SDFP reeks of Jesus and Mary Chain, Mazzy Star, The Sundays, and even Drugstore influences.  These bands for which I clearly adore and admire.

 The first single from this full length album, "Cold Hand" is melodic and melancholic pop.  And it has a high definition music video.  They have a lot of songs to love.  Anna Eklund is not Heather Graham.  And I just love this New (Nu) Gaze band. Their live performances are astonishing. 

Update: (8/14/2015) I do need to update this since I felt the need to come back since there's a ghost in my chest only you can kill.  And if you tell me that it's just fine, I will never let you down.   I don't want to beg "Please".  This is just another form of human interaction whoever is just around the corner holding a technolgy, technologized by the environment.


Tuesday, December 11, 2012

ASIAN KUNG-FU GENERATION - BLUE TRAIN


Trainy Ride
Righ Ex

This is clearly not your regular indie rock band. They got the history, the skills and the spunk as if they have lasted for more than two decades. One of the few Japanese indie artists that has reached my lap. This is jaw-dropping Japanese indie rock. If I had a band right now, at this moment, I would want it to sound like this--definitely like this. It's in Japanese; I wouldn't want it translated. It's not every day that I appreciate Japanese music, more so Japanese indie rock. They were formed in 1996 and never switched or changed band members. The "Blue Train" has swept me off through the tracks. <RCA ARC CAR ACR CRA>


Jake: I initially got into Japanese music around early 2005, while YouTube was still in its infancy. With YouTube so vast and global these days, one might even overlook how artists were discovered prior! Well it's simple--the jpopsukitv stream on Winamp! I first heard the song "Loop & Loop" and was immediately hooked, then soon after, I found out they'd contributed to soundtracks of various anime, such as Fullmetal Alchemist and the Tatami Galaxy. These guys definitely have a knack for making alternative rock songs accessible, but with a true sense of poignancy. Too many gems to name... "Rewrite", "Travelog", "Kimi to iu Hana",  "Blue Train", "After Dark"--yes, their recent stuff is just that good too. You will truly enjoy this band, regardless of which era you prefer